INFAMOUS FIRST LIGHT AMAZON FULL

Releasing it near the end of the season (the penultimate) of one of televisionвЂ™s unrivaled late night assured them publicity.

вЂњWe wanted to take advantage of the success of вЂCrГіnicas marcianas,вЂ™вЂќ Luis de Val, the filmвЂ™s producer, would later comment. He made вЂFBI: Geeks seek to botherвЂ™ in a hurry: three months, from March to June and a budget of 200,000 euros. Perhaps that is why Javier CГЎrdenas wanted to seize the moment before it was too late. It could be a one-off failure, but a certain fatigue on the part of the public was already beginning to appear. For example, in 2003 we had вЂHotel GlamвЂ™ on Telecinco the next year, вЂThe castle of prodigious mindsвЂ™ on Antena 3, was a failure. The reality fever provided plenty of opportunities to get them to live together. Reality shows and the beginning of the endД«ecause 20 years ago вЂBig BrotherвЂ™ was born in Spain and suddenly a powerful disposable character factory had been founded and to be able to explode in rooms (вЂGreat MartianвЂ™). People that we can catalog in a wide spectrum but who played and were used until they did not give more of themselves вЂ¦ or we get tired of it. In a matter of little more than five years We get used to seeing all kinds of weird characters on TV, geeks, polemicists of giving slaps before speaking and other fauna: Leonardo DantГ©s, Tony Genil, Father Apeles, Carlos Pumares, Pocholo, Dinio, Juan Miguel, the Harlequin, etc. To the вЂњfirst generationвЂќ of witches and fortune tellers like Rappel and AramГs Fuster, habitual of the вЂMoors and ChristiansвЂ™ were succeeded by the Pitonisa Lola and Paco Porras. The television circus roamed freely, jumping between network and private channels at a peak in the eternal war between Antena 3 and Telecinco.

INFAMOUS FIRST LIGHT AMAZON FULL

His jump to Telecinco with SardГЎвЂ™s вЂCrГіnicas MarcianasвЂ™ meant a new shot of that material: Carmen de Mairena, el PozГ and company walked around the set while, in addition, we listened at full speed to the I did not change by the artist previously known as Tamara (the bad one). The show at the cost of laughing at people. And we left him with the complicit cloak of the night and some cathode tubes more than willing to offer us, in 625 lines, what we were willing to swallow.

But there was more вЂ¦ and CГЎrdenas put most of them in our classrooms. The television circus played on our television and we had fun with itД¬arlos JesГєs can go down to posterity for being that first great cult character within the вЂњtelevision geeksвЂќ. A format directed by ArГєs that, in the midst of the big festive formats, took on cheapness as a brand вЂ¦ and it worked thanks to the mix of zapping, gags and other comic resources that, even Today, the presenter explodes. Alfonso ArГєsвЂ™s brother-in-law did not hesitate to see gold in the discoveries of characters like Carlos JesГєs for Antena 3вЂ™s вЂAl AttackвЂ™. The television geek sold.ДЄnd here comes Javier CГЎrdenas. A trend that Javier SardГЎ claimed with вЂCrГіnicas MarcianasвЂ™ and that, with the arrival of вЂBig BrotherвЂ™, exploded. On the one hand, humorous television such as вЂAttackвЂ™ and the lates like вЂTonight we crossed the MississippiвЂ™ began to bring to the sets (or at least to interview in reports) the most peculiar characters. Many times we speak of the nineties as a weird time in terms of strident aesthetics, bizarre follies and a modernity that looked at the end of the twentieth century Like itвЂ™s the end of the world and if they didnвЂ™t live now, when would they.Д«ut those bridge years, between the mid-90s and early 00s, forged a somewhat strange time of confluence of television trends where people began to be discovered and praised until then, if not anonymous, then (semi) unknown thanks to the different programs and the rise of reality television.

CГЎrdenasвЂ™s film has reached Amazon as the testimony of an infamous time on televisionД«umping into the Amazon Prime catalog incorporations such as вЂFBI: Geeks seek to botherвЂ™, and get to see it, is to open a drawer of s**t as dark as representative in a way of doing television that we want to think of as extinct in our country.

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